I Became a Verb - Update 2

A proof of concept is progressing, but the vision is shifting a little bit. The three topics pursued in this love letter are gradually becoming more skewed. These three topics are:

  1. My life

  2. Book analysis

  3. World impact

The film is definitely going to be both an analytical essay, and a personal essay. I’d like an analytical video essay, because I feel like it would come closer to doing the book justice, and I also want to inject a layer of my personality, and admiration for the book.

I’m probably going to reduce some of the motion graphic work. The visual style is difficult to pin down. Right now I’m using just Final Cut Pro X to do everything, as I am familiar with that system, but I’m going to work on my After Effects skills to make an animation style that I really feel would be more accurate to my vision.

I want a bit of talking head style elements to it to make it more personal, and some news clips to punctuate the relevance of the book in today’s society. This will add a layer of analog to the digital animation, which I enjoy, which I feel like it would fit right in with today’s filmic vlogging landscape. The talking head view would provide a more intimate moment with my thoughts.

I will make this film roughly 15-20 minutes, and add more to the concept than just an analysis of quotes and design.

I Became a Verb - Update 1

For my Capstone project, I will make a video essay/narrative love letter to my favorite book ever published.

I Seem to be a Verb by Buckminster Fuller

Verb 3.jpg

It will feature motion graphics in the visual design language of the book, similar to the movement style of the video below.

A spread from the book.


This is the book that has influenced me more than any piece of media I have ever absorbed.

I was in freshman year of high school back home in New Orleans when I was given a book for my 14th birthday by my mom’s extremely eccentric friend. The book she gave me was titled I Seem to be a Verb. This paperback introduced me to the bizarre, beautiful, absurd, and incredibly relevant mind of Richard Buckminster Fuller.

I grew up with ADHD and a sloth-like reading pace. Therefore, naturally, I wasn’t the most voracious reader. Though, with all of its rapid-fire philosophical concepts and its insanely outside of the box design, the book felt like it was designed just for me.

Skills I will need:

  • Motion graphics skills beyond my surface level knowledge

  • Voiceover technique

  • Clearer storyboarding

Resources required:

I have the materials needed to do this project (microphones, camera, software, computer, and the book is being shipped to me).


  1. Final video

  2. Proof of concept for BFI and publisher

10 Week Schedule:

  1. Proposal and concept

  2. Rough proof of concept for Publisher and BFI, and request for usage of material

  3. Voiceover/script draft complete and working on visuals/animation

  4. Animating

  5. Mostly complete rough product

  6. Polishing on motion graphics

  7. Polishing on motion graphics

  8. Public test screening at Roostercat Too (Coffee shop), take critiques and polish up.

  9. Figure out presentation format

  10. Final project

Olympus Stylus Epic Zoom 80 Review


So. My comparison of the Pentax to the Olympus didn't have every single detail in it. I may have some further thoughts in reference to the Olympus that shine a positive light on it. It's no secret that I, personally, prefer the Pentax Zoom 90-WR, but I'm gonna play devil's advocate in this review, and give the Olympus a fighting chance.


It is tiny. Absolutely tiny. Therefore it is definitely one hand operable, and that is very rad. It is great for street photography because of that. In the daylight, it functions relatively well if you don't get the light-leaks like I did. But it is absolutely great for the streets in gold because people don't think it is as scary of a camera, and therefore don't shy away as much.

It starts out at a relatively wide 38mm (same as the Pentax) and zooms to a decent 80mm. Though it isn't as good as the Pentax in sharpness or zoom range, it sure gives it a kick in the pants for size and weight. And even though the Pentax is very ergonomic, the Olympus beats it by a moderate margin. It is just more comfortable.

The light-leaks that showed up on almost every photo from that roll, along with some flaring.

The light-leaks that showed up on almost every photo from that roll, along with some flaring.

I find the Pentax to be easier to operate, due to larger, and more strategically placed buttons, but still. The Olympus is a dream to shoot in the moment.

I fear for the durability of the camera. It is made of cheap late 90's plastic, and that isn't good. The camera feels like it could drop and die on the spot, but I've heard that some people have the opposite response when holding the camera, so it could just be me.

Though it doesn't feel very durable, the clamshell design of the camera is going to keep that lens from getting scratched and smudged. BUT that is still another moving part that could fail. And that is the theme of the negative aspect of the design. It has a lot of moving parts. The flash is motorized, and pivots on, what looks like a rather complex point, due to the springy nature of it. And that scares me. When the flash is registered as down, it is not going to take photos. And when the flash breaks, it might do the same. So heed my warning. It could fail on you, and that is bad.


It takes some very crisp photos when it focusses properly. The colors pop from the lens, and the contrast is wonderful when it gets a proper exposure. I sure will give it that!

Taken on Fuji Superia 800

Taken on Fuji Superia 800

The lens reproduces color pretty well (although the film definitely had something to do with that).

The leaks on my particular copy of the camera are definitely a stylistic choice if you want them. But no promise it'll be the same on yours. Just a warning.

The autofocus is one sore point for the camera. It just doesn't cut it in my opinion. Though, that is the thing about film point-and-shoots. They don't always nail the focus. At night in particular, my Pentax wiped the floor with the Olympus.

Taken on Fomapan 100.

Taken on Fomapan 100.

Fomapan 100. Honestly, I'm not entirely sure what happened in this photo. Sorta cool though.

Fomapan 100. Honestly, I'm not entirely sure what happened in this photo. Sorta cool though.


It has quite a few features. Though considering it was made in 1998, towards the end of wide-spread film camera development, that isn't too huge of a surprise. It has many shooting modes. It has a lot of flash settings. It has a decent zoom.

If you still want it.

Here is a link to where you can buy it. If you buy it (or anything else) via this link, you'll be supporting me at no extra cost to you, but in all honesty, if you want to save $5-10, then go with eBay. It might be less reliable. But pick your poison. It's been discontinued for a while, so there's always a chance of it functioning incorrectly.

But for my money, a the Pentax is the way to go. It's cheaper. More rugged, and takes more pleasing pictures to my eye.

Or, if you feel like shilling out hundreds of dollars, or going on an epic thrift store search, you could go with the much beloved Olympus Stylus Epic with the fixed 35mm lens at f2.8. I haven't tried it out, but I've heard wonderful things

You could go with a Contax T2, but I see no need to place that kind of money on the table. Sure it has great optics, but it's a point and shoot. Don't worry about it.

Instead, what I truly recommend is to go to just about any thrift store, and pick up a film point and shoot. It's less about the equipment, and more about who is taking the photo. With a film point and shoot, you have essentially a full frame interchangeable sensor, and amazing optics for a really cheap price. The only limit is the imagination of the photographer and the laws of physics. Everything but the composition is done for you, and though it is a creative limitation, there is nothing wrong with that! Don't be afraid if the camera doesn't have a review online. Film point and shoots aren't supposed to be perfect in my mind. So long as it is in good condition and works, that roughly $10 you spend in the Goodwill is a bargain. 


Holy crap! The camera is running for around $200 on Amazon! Don't. Just don't.